Transparent, phase-aware audio processing. No analog mystery, no guesswork: what you set is what you hear.
Turn on landmarks and EQ Pro marks the frequencies that keep standing out over time, not just the loud moments. Click a mark to see its frequency and note and hear it, or double-click to drop a band right there. It does not tell you what to do about it. That part stays your call.
There is a preset menu in the header now. A set of factory starting points (de-esser, notch, dynamic EQ, a few plain multi-band setups) and room for your own. Save one, recall it, step through them with the arrows.
A piano runs along the bottom, so a spot at 250 Hz reads as the note it really is, not just a number. If you do not need it, switch it off in the gear menu.
Automatic bands used to hit a hard limit at the threshold. Now they ease off in proportion to the range you set, which sounds a lot more natural. Older projects keep the old behaviour, so nothing you already mixed changes.
The interface is redrawn and laid out like hardware, left to right from input to output. Every band now draws its own thin line under the main curve, so you can see what each one is doing without selecting it.
That is the short version. The changelog has the full list.