24 bands and filter types
The drawn response and the processed audio share the exact same filter maths. Move a handle and the sound moves with it, to the decibel.
- Up to 24 freely typed bands, each host-automatable
- Bells, shelves, cuts, notch and Tilt band types
- Symmetric constant-Q: a cut mirrors the boost exactly
Compressor in every band
Static EQ dulls the whole track. A dynamic band only engages over its threshold, and it listens to exactly the frequency and Q you drew, so it fixes the problem and leaves the rest of the performance alone. Reveal FULL and it is a complete compressor on that band.
- Threshold, ratio (to brickwall), knee, attack, release per band
- A per-band meter: level, threshold marker and live gain reduction
- Internal or external sidechain, per band
Frequency landmarks
Turn on Spectrum landmarks and EQ Pro marks the frequencies that keep standing out over time: the steady peaks, not just the loud moments. Whether that is a problem or the character of the instrument is your call. Click a marker to read its exact frequency and note and hear it on its own, double-click to drop a band right there, or drag to sweep, then decide with the EQ.
- Steady peaks emphasised, drifting ones fade away
- Click a marker for its frequency and note, and to hear it
- Double-click to drop a band at that frequency
- Hover for a quick tooltip, drag to sweep
- A place to look, not a verdict: nothing is judged or changed
Auto Gain
Auto Gain matches the output for an honest bypass, and it folds in what the dynamic bands are doing, deterministically, so a dynamic move changes the tone without changing the loudness. You judge tone, not level.
- Auto Gain follows the dynamics, with no detector of its own
- Gain Scale: 0 to 200 %, the curve follows in real time
- Input and output trim with stereo metering
- True bypass for an instant A/B
